Into The Jungle

How to play Into The Jungle

The key takeaway for an experienced player is that none of these mechanics is genuinely novel on its own. The interest lies in the combination, and in REEVO’s decision to package several familiar systems into one release aimed at broad appeal.

Thunder Walker is best read as evidence of REEVO’s content strategy rather than as a landmark launch. The studio is producing recognizable, theme-led slots and pushing them through its own distribution platform to its operator network. The game is now live through the REEVO platform, making it available to the company’s operator partners and their players.

Greek mythology remains one of the most durable and repeatedly mined themes in slot development. Zeus, Olympus and storm imagery give studios instant visual shorthand and reliable player recognition, which is precisely why developers keep returning to it. REEVO going back to that well signals a preference for proven commercial territory over riskier concepts, at least in this part of its roadmap.

What is Into The Jungle?

The report also cites brands targeting a specifically banned vertical or product within a jurisdiction as driving black market activity. While markets across Europe have many examples, one such flagged in the report is that iGaming remains illegal for licensed operators in France.

“The largest black market operators have scaled to create recognisable brands with traffic that can compare to domestically licensed operators,” the report’s authors wrote. “The top group of sites by common owner has a 12% share of traffic, while the largest single brand has 10%.”

Beyond offering crypto payment solutions, a number of black market operators are licensed in “light touch” offshore jurisidictions which use opaque offshore operating structures to help to obscure company ownership and make local enforcement against these companies complex, the report noted.

How to play Into The Jungle

Macquarie’s Beynon agrees with that sentiment, pointing to the relative stability of gaming companies through tough economic stretches such as the Covid-19 pandemic. Bankruptcies in the sector have been low relative to the broader market, he notes, and both land-based and digital companies have reason for optimism moving forward.

“It’s certainly not lost on us that this sector has underperformed for several years in a row just because it doesn’t have either the growth of say, tech companies, or the perceived free cash flow-insulated businesses, which we believe it does…We’ve thought there’s been value in the sector for a few years, particularly this year,” he told iGB.

Jess has covered the global gaming industry since 2022. A native of Reno, Nevada, he’d like to note that it’s Ne-va-da, not Ne-VAH-da.